death. Clint Eastwood has already evoked through its many characters, and we remember with emotion, the latest images Gran Torino. The giant wanted to talk about the post, the unknown. Beyond relates three individual stories. A French journalist who has miraculously escaped tsnunami sees his life shattered. An American who has the power to communicate with the dead can no longer bear this gift he sees as a burden. Finally, in London, a young boy lost his twin brother and will attempt to contact him Using several mediums, Charlat should say.
If Clint Eastwood had answers to questions that arise about what awaits us after life, it would not be interested in these characters, themselves, do not have to give us. Beyond is not a feature but a fantastic meditative melodrama. The sweetness of the filmmaker still shines at the option of dissimilar sequences. The British side is the most poignant, Eastwood filming children with his usual modesty. Honkytonk Man of to Mystic River through a perfect world, the filmmaker has ever filmed the cracks that age at child height. In some scenes, when the accident occurred when the twin brother's masterful sequence of the subway, he marries beautifully the look of his character. The U.S. side also contains some great moments with the discreet and beautiful interpretation of Matt Damon. The French side is the least convincing impression of redundant shots. Cecile de France, light, is not an issue but we do not feel like the filmmaker involved in the other two segments.
Clint Eastwood and George McLaren
Clint Eastwood is definitely not where we expected. At eighty years, it allows for the first time in his career, starting his film with an action sequence worthy of blockbusters. The first plans hint at the menace lurking. Then comes the attack tsnunami, impressive, where the camera follows the character of Cecile de France in its survival. Up to the appearance a little "too much" of the afterlife.
The director and screenwriter Peter Morgan, award-winning The Queen , felt compelled to bring all these characters. This meeting leads to a bit forced a final disconcerting, a surprising weakness on the part of the filmmaker. The big issue is tiny and seems himself to a banal happy ending. The thirty-first film of Clint Eastwood is not a major work but the filmmaker's astonishing ability to capture our attention immediately to stop the release still fascinates. The sign of greatness.
0 comments:
Post a Comment