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RINGU PARADE

Frank Michael: "Say, Salvatore and Fredo, I can not recognize the smell is fir or pee? "

                                                                  

In my office, patient records famous pile, and I notice that many of them are extremely nice and simple ... No fake smiles to the eddy-Sabatier, not just celebrities delighted to be and who appreciate their happiness and their privileged ... Salvatore Adamo
part of those, that can be blamed in 45-year career? perhaps readjust his marmoset from time to time, that's all, he had a daughter with another woman as his wife, that he who has not sinned cast the first 33 he does. Plus it takes up and just do a duet with her. It is also the first to the head of a survivor of a stroke and yet he has not toured the wooden leg (Caroline Loeb either, for that matter) joking aside, Frederick Francis experienced the same journey, crooners of same origin, I may be less forgiving about his songs, even when Fredo sings the same song for 40 years but it continues to appeal to the grannies who were Favinettes Podium or Stephanie the heyday of seventies ... For cons no leniency for Michael Frank usurper who stole all plans Fredo and delighted some of his audience, yet there's no photo, compared to Fred, who is rather handsome man of 60 pins, you do not see frankly what grannies are at that corny all, they all good but if the cataract musical stew they serve one another and are more or less the same level, Michael has found his niche and certainly has nothing to bray the poor old women who have made a beautiful place and pay for their purchase all marketting around there, and fills the horror, ugly old wipes on scarves that lay Simone, Alberte and Marcelle, who therefore does not wash them over and make the happiness of dermatology with mycosis inevitable ... All women are beautiful you speak, but good to the kingdom of Ringues Frank Fredo and are the kings of the sheath, you tell me where there 's of the sheath there is not no fun but the flouze to do!

Doctor's order's : Control of pacemaker required upon entry halls for Salvatore, Frederick, Frank, vendors tears just lambasted Daniel Balavoine, but " give" so much happiness to Ginettes that can not really blame them, perhaps have a little Michael Frank, Dr. Kitsch does not feel sincere, unlike two others that, even if they make Régécolor their business, I appear more attentive to the Sonotone ...

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Carancho

Advisory phobic Auto: this movie is not for you! The Carancho is a lawyer specializing in traffic accidents which are legion in Bueno Aires. But this noble activity is mainly as a way to benefit the victims and get rich at their expense. Sosa is one of them. One evening, looking for potential clients, he meets Lujan, a young emergency physician who combines working hours and take drugs regularly to take. A budding love story that will confront the corruption of the mafia and local police.

Pablo Trapero, in competition at Cannes two years ago with Leonara , is again turning Martina Gusman, also executive producer. It forms a nice chemistry with the Argentine film actor, Ricardo Darin, just out of beauty in his eyes . Both characters will have to fight against a system that is widespread, Argentina. That social aspect is most interesting, Trapero infiltrating his camera in the corner of sordid hospitals Bueno Aires by the finding of a decaying society infested with violence. The colors and style of the nervous achievement anchor the film in this uncomfortable reality in which the characters are going to sweat blood and tears.

But the filmmaker is too often lost in the maze of a plot that just confused convincing. Some sequences lack sufficient clarity so that we follow the story with all the necessary attention. The background prevails so widely and chaos before we end the last images of stunning realism that offer no escape.

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Pathways to Freedom

Peter Weir is a rare filmmaker. Seven years separate Master and Commander of this new feature. A quiet man, unknown to the general public, however, author of several famous films: Witness, The Poets and missing The Truman Show. He adapted the novel by Slavomir Rawicz tells that in 1940, the escape of prisoners in a gulag in Siberia. The fugitives are going through more than 10,000 km in hostile conditions, crossing the desert furnace Goby and the peaks of the Himalayas. Only three of them escape.

The film is inspired by real events but the truth of events is now being questioned, for this reason that Peter Weir chose to bring the story and the characters a great deal of fiction. A feeling reinforced by a Hollywood convention usual, the Russian and Polish speaking English with an accent forced. But this minor reservation should not detract from the value of a film that starts in a very classical headed for the wildest lands.

rough photography of cinematographer Russell Boyd (faithful to the filmmaker) and the simplicity of the staging of Peter Weir accurately recreate the appalling reality of the gulag. However, the filmmaker delivers fast its protagonists do not filming their escape, one of the oddities that dot the film. Indeed, the characters are not well identified, without a past, which mainly rely on their instincts to survive and support their "comrades" to overcome the cold. The film, free from the conventions of the genre, becomes a wandering through the world where the quest for freedom seems increasingly endangered. And despite some improbabilities, the director was smart enough not to increase the dramatic adventures. Along the way, we happen to complain that even this breakaway is not more dangerous!

But nature will take over and these men will cross the mountains (in the literal sense of the word) to do not see death in the long way. Buoyed by excellent actors (including Colin Farrell leisurely strolling player in Russian thug!) Pathways to Freedom makes us enjoy the great outdoors that Peter Weir films with the extent that he already knew and he has delivered a moving testimony of people who have used their resources to overcome recent barbarity of the Stalinist regime unfortunately little attention in Western cinema.